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From: Stefan Hultberg on Mon, 06 Jul 2020 02:38:15 -0600
Which sort of attack lies behind moves 7 & 8 in the 31 kata kumi jo? I have heard several bids. Any opinions? When this attack from behind is considered, how should oneÂ’s movement in move 7 be in order to avoid the attack and deal with the new attacker before turning back to the original one? All the best Stefan Hultberg
Christopher Mulligan Sensei began studying Aikido in 1974. He spent 11 years in Japan studying mostly at the Hombu dojo in Tokyo. Chris, along with Yoko Okamoto Sensei, established Portland Aikikai in 1993. Since returning to Japan in 2002, he has held the role of senior instructor at Aikido Kyoto,Â a prominent Kyoto-based dojo headed by Dojo-Cho,Â Yoko Okamoto. He holds the rank of 6 dan shihan. In addition to his Aikido expertise, Christopher has been an ESL/EFL teacher and administrator for nearly thirty-five years with an expertise in curriculum development, material selection, and design. In Japan, he has taught full time at several universities (Temple University, Kansai Gaidai, and Ritsumeikan University) as a lecturer, assistant professor, and associate professor.Christopher Mulligan, teaching at Portland Aikikai’s 20th Anniversary
“Research and development in any field should drive practice, not tradition.”
In both first and second language acquisition, children or beginning students often apply a fallacious learner strategy referred to as â€śovergeneralization.â€ť This is when learners overgeneralize a grammatical rule in cases where it doesnâ€™t apply. In the case of the past tense, they apply the â€“ed form with irregular past tense verbs, as well: â€śI goed to the store,â€ť â€śI knowed what he said,â€ť â€śI swimmed in the river.â€ť These are not necessarily errors, but rather interim linguistic stages of their interlanguage (Selinker, 1972). In aikido, we often see the same with beginning students. For example, in the process of doing katatetori ikkyo, where the nage correctly controls ukeâ€™s hand while holding the thumb, yet when coming down to pin, nage suddenly changes their grip and holds the wrist as in shomenuchi, or yokomenuchi ikkyo. Here, as in language development, they are overgeneralizing the shomenuchi version of the pin. This is an example of analogies that I often use in my aikido classes. I see the world through the lens of a linguist.
I have been an ESL /EFL instructor for more than 35 years. I have been studying aikido even longer and have been teaching for more than 30 years. Along the way, I have noticed and often incorporated similarities of language acquisition to that of aikido development in the dojo. There are many similarities not only in the metalinguistic acquisition process, but also similarities in the subsequent pedagogical execution of both. These similarities are not just inherent in aikido, but also apply to all body arts in general.In Mistuzuka Sensei’s dojo with Didier Boyet in the 1980s Input
In order to learn language we need input. In language, the input can come in the form of heard speech or written text. The input has to be comprehensible as well. Comprehensible input is input that contains language that is a bit beyond the current understanding of the learnerâ€”and the focus is on meaning, not on grammatical form (Krashen, 1982). Children in an elementary school would not acquire Chinese by listening to Chinese news programs, because the input is beyond their comprehension. We move to a higher level when the input is just above our present level, or what Krashen would term i+1 (1982).
In aikido the input comes inÂ two ways basically: visually watching the teacher throw and maybe to a certain extent, the verbal explanations presented. This is visual and auditory input. The input can also come from being thrown. Here, information or input is transmitted by sensation. We get to feel for how the waza should be done, or not be done depending on the quality and experience of the nage. Moreover, the input the learner sees or feels should be within their range of comprehension. Thus, the need for varied levels and the opportunity to train with people who are above their level is essential. Being thrown by the instructor is also crucial because this is the most direct way for a student to be given correct input keyed to the level of the student. The inappropriateness of the input is often demonstrated in seminars, when beginning-level students flounder in intermediate or advanced oriented classes. They see but do not comprehend.
“As instructors, we often see students who have plateaued, or whose development seems to have been arrested or fossilized. The ability to heighten attention and awareness in the dojo is a controversial one. Do we try to lower the affect, making it more relaxingâ€”or does a higher affected, more martial atmosphere help sharpen attentiveness?”
In ESL/EFL, there are those who oppose pair or group work because the input they receive from fellow students at their level will not be near to or native proficiency, providing what is called â€śbastardized input.â€ť The fear is that input provided by non-native proficiency will lead to fossilization: where incorrect language becomes a habit and cannot be easily corrected. In aikido, the image the students receive is also very important; it cannot be bastardized. If the body is the mode through which this input is transmitted, then the teacher needs to have a command or proficiency when demonstrating. Just like with language acquisition, the input must be provided by a â€śnative speaker.â€ť The critical question then is: Have the teachers who are teaching truly achieved a mastery proficiency of the art necessary to provide the quality input needed for acquisition to occur correctly?Teaching bokken at Portland Aikikai in 2020 Output
As well as input, we also need output. According to Swain & Lapkin (1995), output allows second language learners to identify gaps or differences in their linguistic knowledge, first by attending to the input and second by making efforts to communicate. We do this by noticing specific features in the input, comparing them to our present understanding, and then attempting to utilize the differences in an utterance. This is what is referred to as hypotheses testing. By uttering something, the learner tests this hypothesis and subsequently receives feedback from an interlocutor. If the utterance is not successful the speaker may (consciously or unconsciously) revise communicationâ€”gradually rising to a higher-level proficiency.
In language, interaction usually occurs in discourse, but in aikido it occurs when we throw each other. The learner attends to the input by noticing specific aspects of the teacherâ€™s demonstration, footwork, handwork and comparing it to their present understanding, then with their partner they attempt to apply the difference. The feedback they receive will either validate or negate their hypothesis. This feedback enables reprocessing of the hypothesis if necessary with subsequent throws. Just like hypotheses testing in language, being attentive to the feedback from uke, the studentâ€™s proficiency will gradually rise.
An important point to mention here is that the process of â€śnoticingâ€ť and â€ścomparingâ€ť creates a richer form of input commonly referred to as intake. Many students watch but they do not see! According to Schmidt (1994), a direct link between input noticing and production must be established for acquisition to occur. Only when the input is attended to can further processing be possible and this is especially true when the input is unstructured or lacks a specific focus. The process looks something like below:With Yoko Okamoto Sensei at Home Dojo in the 1980s Input-noticingâ€“comparing-testing â€“revising
In Taichi, for example, if I am following my teacher doing the 24 yang form, I notice that her hand position is higher than mine. The comparison helps me adjust getting me closer to a more competent performance. As the teacher comes around and provides correction, she will either confirm or negate the adjustment.
This begs the question of what is the appropriate feedback. How much leeway should students be given in order to expedite their hypotheses testing? Does this directly contradict an art that is often times transmitted in a highly orthodox, stylized manner, thus frustrating the process?
“The input the learner sees or feels should be within their range of comprehension. Thus, the need for varied levels and the opportunity to train with people who are above their level is essential. Being thrown by the instructor is also crucial because this is the most direct way for a student to be given correct input keyed to the level of the student.”
Schmidt (2001) further states that the studentsâ€™ lack of proper noticing or attention and awareness is the main cause of language fossilization whereby regardless of the amount of correct input a learner is exposed to, many features of the language still become stubbornly arrested in their second language (L2) acquisition.
As instructors, we often see students who have plateaued, or whose development seems to have been arrested or fossilized. The ability to heighten attention and awareness in the dojo is a controversial one. Do we try to lower the affect, making it more relaxingâ€”or does a higher affected, more martial atmosphere help sharpen attentiveness? Moreover, in smaller dojos that do not have the luxury of providing basic classes, beginners who start in mixed-level classes, where there is no systematic pedagogical progression, often miss fundamental features of the techniques that they would have otherwise naturally been exposed to in fundamental classes.
In the dojo, how do we facilitate the input to intake process? In the classroom, the language task or the isolation of specific features in the input creates the opportunity for noticing. A well-structured class with clear goals and objectives helps expedite this process. The teacher creates an environment that makes learning possible and provides a delimited goal to provide clarity. In the dojo, having a theme or specific focus helps students better attend to the input. Clustering elements into a logical provocative flow: Are you just taking five techniques (responses) from one attack or are you using the input to teach a certain principle: for example, where is the point of disengagement from a grab, or using the triangle as a tool for destabilization. The theme gives the input an intellectual or emotional charge that helps the information stick. Additionally, are the classes well-structured, demonstrative, and are the techniques done in a highly repetitive fashion providing repeated opportunities and time for studentsâ€™ hypotheses testing?
Another way to draw a studentâ€™s attention to certain features and encourage noticing is the use of consciousness-raising activities. In grammar, it is an approach that provides specific data and students have to create the rules inductively (Ellis, 2002). Or showing how one feature that seems structurally similar actually operates differently in context. For example, tag questions, which are structurally identical, may have a falling intonation, denoting confirmation and rising intonation indicates the need for clarification. â€śThis is the chemistry lab, isnâ€™t it?â€ť (falling: where the speaker is quite certain that it in fact is) compared to â€śThis is the chemistry lab, isnâ€™t it?â€ť(rising: where the speaker is in doubt and seeking confirmation of the assumption).
On test, students often confuse the handwork on yokomenuchi shihonage and shomenuchi shihonage, the latter requires a crossing of the hands before you strike with a cut.Â Same is true for yokomenuchi kokyunage and shomenuchi kokunage. Teaching these two forms together, and highlighting the differences implicitly or explicitly may make students more conscious of the differences, creating a higher level of noticing.Training with Chiba Sensei in 1987 Surface Level vs. Deep Structure
According to the Oxford Dictionary of English Grammar (2014): “Deep and surface structure are often used as terms in a simple binary opposition, with the deep structure representing meaning, and the surface structure being the actual sentence we see.â€ť Chomsky (1964) identifies this linguistic dichotomy as a way to address some of the weakness of structural linguistics and to show that language learning is not a process of imitation, but rather an internal cognitive activity. It also helps explain ambiguities in the language. â€śI shot an elephant in my pajamas,â€ť â€śBob likes Mary more than me,â€ť or â€śCall me a cab, please.â€ť The meaning of the concrete surface representation lies in the deep structural grammatical transformation.
“I recall training with a peer at the Hombu Dojo. Initially, I was trying to be the alpha dog, however, my partner responded with an equal amount of aggressionâ€”instead of resulting in mutually-assured destruction, implicitly without verbalization, we adjusted the intensity of our attack, eventually finding a medium for optimal training, where we both benefited. “
In aikido, the taijustu (body art) would be the concrete surface manifestation of a waza, but the rationale for the technique probably comes from the use of sword or spear, residing in the realm of the deep structure. Aihami nikkyo was probably applied when an opponent grabs a swordsmanâ€™s hand trying to prevent them from drawing, then the swordsman applying nikkyo with the hilt of the sword as the counter. This may reinforce the belief that only through weapons training do we truly acquire a deeper knowledge of the aikido body arts.
Moreover, because the acquisition of language is an internalized cognitive process, once the process has been triggered, it becomes generative in nature. Chomsky stated that there are unlimited possibilities once the acquisition process has started. Language is not something that is memorized. Aikido in a sense can be the same. Once you have acquired the foundation there is any number of generative possibilities.Christopher Mulligan at Tenshin Dojo in Osaka, Japan, 1980 Negotiation of Meaning
A basic principle of second language learning is the need to negotiate meaning in any language-learning situation. Once meaning is established, comprehension follows.Â It is â€śthe process by which two or more interlocutors identify and then attempt to resolve a communication breakdownâ€ť (Ellis, 2003, p. 346). It is a communicative repair-oriented â€śmodification and restructuring of interaction between interlocutors when they experience comprehension difficultiesâ€ť (Pica, 1994, p. 494). Long (1996) suggests that this process creates a higher potential for understanding between interlocutors. The strategies of negotiation, in this case, include the listenerâ€™s request for message clarification and confirmation; the speaker may then repeat, elaborate, or simplify the original message. These strategies are also inherent in both L1 (native language acquisition) and in L2 (second language acquisition).
In aikido, we either consciously/unconsciouslyâ€”verbally or nonverbally– try to achieve a resolution to a breakdown in trainingâ€”trying to adjust our effort to achieve a medium where optimal training can occur without a win/lose end-game. The negotiation will differ according to the power relationship between each practitioner. I recall training with a peer at the Hombu Dojo. Initially, I was trying to be the alpha dog, however, my partner responded with an equal amount of aggressionâ€”instead of resulting in mutually-assured destruction, implicitly without verbalization, we adjusted the intensity of our attack, eventually finding a medium for optimal training, where we both benefited. This negotiation of meaning is also an important part of conflict resolution, the process by which two or more parties reach a peaceful resolution to a dispute.Portland Aikikai, 2019 Accuracy vs. Fluency
In language learning pedagogy, there is a spectrum ranging from accuracy on one end and fluency on the other. Accuracy is the ability to produce language with grammatical and lexical accuracy, while fluency requires learners to produce language in a more coherent holistic wayâ€”in normal communication. Where we are on the spectrum, will often be determined by the level or the focus of the class: skill-based vs. communication-based.Â In more elementary levels, the focus would shift more towards an accuracy-based position, focused on the technical details, and gradually moving to the other end of the spectrum as the level goes up where the details are incorporated into the organic flow.
In aikido, on the accuracy end, working on conditioning skills and basic forms (kihon waza), or gradually grading activities from simple to more complex helps promote this process. The over-reliance on accuracy, however, can create students who lack fluidity and tend to be lumbering in their movement. The need for fluency, getting students to move in a smooth and fluid way, (nagare waza) where they are able to improvise and generate various possibilities is also crucial. Here jyuwaza (free movement) practice can be effective. Where you are on the spectrum, often depends on the level of the students. In basic classes, teachers should lean more towards the accuracy end, and in advanced classes, more towards the fluency side, ending each class with at least 10 minutes of jyuwaza.
Another way the accuracy/fluency dichotomy can be manipulated is by deconstructing a waza (accuracy): breaking it down into its logical parts and then reconstructing it, the same way you would a paragraph or an essay. The deconstructive approach allows students to see the discrete parts and how they connect to make a whole (the trees vs. the forest approach). This is a manageable way to lead students from discrete forms to a whole movement, while at the same time addressing differences in learning styles and broadening the level that can be accommodated in each class.AikidoKyoto, hosting the dojo’s 15th Anniversary in 2018 with Miyamoto and Tissier Sensei at the Budo center in Kyoto Peer Learning and Zone of Proximal Development
The zone of proximal development (ZPD) has been defined as: â€śthe distance between the actual developmental level as determined by independent problem solving and the level of potential development as determined through problem-solving under adult guidance, or in collaboration with more capable peers” (Vygotsky, 1978, p. 86). Peer learning is a way that you can accommodate a wider range of levels in one class by combining less-experienced students with students who have greater experience or expertise. In the classroom, it is done by skillfully pairing or grouping students with â€śmore knowledgeable othersâ€ť (Wood, et al., 1976), ensuring classroom interaction, and providing necessary scaffolding and support activities to make the information more accessible to a wider range of learners.
In its pure and productive form, this should be the goal of the sempai/kohai relationship, and not as a form of control and power. I am amazed at how the range of learning possibilities changes in a beginnerâ€™s class with the presence of senior students. The less-experienced students are able to accomplish something they normally could not have achieved on their own or with a student of the same level.Â At the same time, the sempai (more experienced peers) gain a deeper understanding of the skill by transmitting it. We learn the most when we teach something! Therefore, having black belts and more experienced students attend beginner classes not only expands the zone of development but also accelerates the learning process for a whole range of students.Conclusion
Research and development in any field should drive practice, not tradition. This is illustrated by the poor quality of English language instruction in Japan. Teachers are not informed about the recent developments in second language acquisition (SLA) or are overwhelmed by the stubborn ingrained reliance on an arcane grammar-translation approach where the majority of classroom input is still in Japanese. The more informed you are about the process of language learning, the more effective you will be as a teacher. This also applies to the teaching of aikido. How many instructors are educators, who, aware of the process of learning, are utilizing the latest research and development to create a more systematic, pedagogical approach to the teaching of body arts? Could this be one of the factors for the decline of the art in the USA? Teacher certificates are issued, but based on what? Is there explicit instruction given on how to teach more effectively, how to manage a class (especially of children), andÂ how to manage a dojo? Is attending several seminars a year providing the instruction necessary to be an effective teacher? This-is-theâ€“way-my-teacher-taught paradigm is impervious to the fact that curriculum development and pedagogy is an â€śongoing, and iterative processâ€ť (Dawley & Havelka, 2004) that is constantly changing according to innovations in the field of education.
Chalker, S., & Weiner, E. (2nd Ed.). (2014). Oxford Dictionary of English Grammar. Oxford University Press.
Chomsky, N. (1964).Â Current Issues in Linguistic Theory. The Hague: Mouton.
Dawley, D., & Havelka, D.Â (2004)Â A curriculum development process model.Â J. Coll. Teach. Learn.Â 1,Â 51â€“Â 55.
Ellis, R. (2002). Grammar Teaching-Practice or Consciousness-Raising? In J.C. Richard & W.A.Renandya (Eds.), Methodology in Language teaching. Cambridge: Cambridge University Press.
Ellis, R. (2003). Task-based language learning and teaching. Oxford: Oxford Â Â Â Â University Press.
Gagliardi, A. (2012).Â Input and intake in language acquisition. (Doctoral Dissertation). University of Maryland, USA.
Krashen, S. D. (1982).Â Principles and practice in second language acquisition. Oxford: Pergamon.
Long, M. (1996). The role of the linguistic environment in second language acquisition. In W. C. Ritchie & T. K. Bhatia (Eds.), Handbook of second language acquisition. New York: Academic Press, 413â€“468.
Pica, T. (1994). Research on negotiation: What does it reveal about second-language learning conditions, processes, and outcomes? Language Learning, 44.3, 493â€“527.
Selinker, L. (1972), Interlanguage.Â International Review of Applied Linguistics, 10, 209â€“231.
Schmidt, R. (1994). Deconstructing consciousness in search of useful definitions for applied linguistics.Â AILA Review, 11, 11-26.
Schmidt, R. (2001). “Attention.” In P. Robinson (Ed.), Cognition and second language instruction (pp. 3-32). Cambridge University Press.
Swain, M., & Lapkin, S. (1995).Â Problems in output and the cognitive processes they generate: A step towards second language learning.Â Applied LinguisticsÂ 16: 371-391, p. 371.
Swain, M. (2005) â€śThe output hypothesis: theory and researchâ€ť. In E. Heinkel (Ed.), Handbook of research in second language teaching and learning, 471â€“483. Mahwah, NJ: Lawrence Erlbaum Associates
Vygotsky, L. S. (1978).Â Mind in society: The development of higher psychological processes. Cambridge, MA: Harvard University Press.
Wood, D., Bruner, J. S., & Ross, G. (1976). The role of tutoring in problem solving. Journal of Child Psychology and Psychiatry, 17(2), 89-100.
From: Andrea Pfisterer on Thu, 11 Jun 2020 08:52:11 -0600
Anyone who loves aikido and likes playing games, will love this card game with 40 aptly portrayed, unique characters from Aikido. It can be played in five playing variations and can also serve in childrens classes. For example to address different training attitudes: why blocking or talking in training makes little sense. Or how you could help a student to improve. They can also be used as representatives for techniques or warm-up exercises. Jutta Bossert, an aikido practitioner herself, lovingly portrayed and characterized these animals. The game was designed by myself. More details and pictures of the game you can find here: [URL="https://www.kickstarter.com/projects/aikidogame/the-aikido-game/"]https://www.kickstarter.com/projects/aikidogame/the-aikido-game/[/URL] Orders only possible for another 7 days!
From: Jun Akiyama on Thu, 11 Jun 2020 07:29:19 -0600
Hi folks, With all of the protests occurring all over the world, I thought I would try to start a civil and meaningful discussion on the topic of racism and aikido. I know this is a multi-layered and complex topic (especially with an international audience), not to mention volatile. So, please—let’s engage with respect here. To start off this discussion, I wanted to ask two questions: Is racism an issue within the art of aikido? If so, in what ways? If not, what are your thoughts behind that? Is systemic racism an issue within aikido organizations? If so, in what ways? If not, what are your thoughts behind that? Best, -- Jun
Darrell Bluhm Shihan (7th dan) began his Aikido training in 1970 as a student at UC Santa Cruz. In 1973 he spent two months living at the Iwama dojo in Ibaraki prefecture, Japan, training with M. Saito Shihan, as well as time training at Hombu dojo in Tokyo. In 1981 he became a student of T.K. Chiba Shihan and a founding member and assistant instructor of San Diego Aikikai. In 1983 he founded Siskiyou Aikikai in Ashland, Oregon where he has taught Aikido and Tai Chi Chuan for the past 33 years and the Feldenkrais Method for 20 years. In 1996 he was promoted to 6th Dan, in 2002 awarded Shihan title by Chiba Sensei, and in 2006 received Shihan recognition from Doshu M. Ueshiba at Hombu Dojo. He serves as a member of the Birankai North America Senior Council.
Aikido Journal recently published editorials by Jamie Leno Zimron and Tom Collings. They address the challenges our Aikido community is facing due to waning interest in our art and the issues presented by the global pandemic. Both editorials also address the issue of Aikidoâ€™s martial effectiveness. I find both these editorials provocative, especially in how they represent different but simultaneously valid points of view. In pondering the ideas presented by Zimron Sensei and Collings Sensei, I feel compelled to add my voice to this discussion. I am especially interested in exploring how our understanding of Aikido’s martial effectiveness can help shape our responses, individually and collectively, to the challenges we face.
In her editorial, Zimron Sensei emphasizes the power of reconciliation inherent in the principles and practices of Aikido. She has spent many years using Aikido practice as a means for bringing people together across barriers of perceived enmity and historic conflict. I applaud her work and hope that others will join her in the promotion of peace and reconciliation through Aikido. In our everyday practice on the mat, we bring people together in ways that cross social barriers in terms of ethnicity, gender, age, class, etc. This is an important element in how Aikido contributes to the health of our communities. We should celebrate this.
Collings Sensei shares his perspective on, the “inherent ugliness of violence,” derived from his work in law enforcement. In his editorial, he warns us not to trivialize real violence by means of sanitized and theatrical presentations of Aikido. I wholeheartedly agree. When we trivialize or glamorize violence, we insult the countless individuals impacted by domestic, sexual, criminal, and institutional violence, and we insult the art of Aikido itself. Collings Sensei has outlined a cogent and coherent university level Aikido program which employs the development of practical self-defense skills as a starting point for his students. Given his experience and perspective, this approach makes sense to me. I am looking forward to hearing from him how the program is received. I hope it proves to be a model for like-minded teachers within our community.
My teacher, T. K. Chiba, often described his approach to Aikido training as one committed to nourishing the roots of Aikido. In his own words:
â€śI regard Aikido to be more than just another art form, for its value transcends the boundaries and limitations inherent in the martial arts forms. If we treat it as simply a lovely flower ofÂ the tradition meant solely for our sensual enjoyment, and we ignore or neglect the gnarled roots that dig deep into the soil to give life to the flower, we will lose something vitally important- the essential nutrition for our ongoing endeavor in the study of the art. In my view, what makes things healthy is the existence of opposing elements within a being that give rise to a lively tension and creative dynamism” (The Study and Refinement of Martial Awareness).
As part of nourishing the roots of our art, Chiba Sensei emphasized the martial importance of knowing what he called the three Ws: Where, When, and What. He expected us to be able to execute the proper distance, angle and positioning, the timing and choice of technique suited to a given circumstance. The atmosphere he created on the mat was structured to awaken our minds, training was never casual, but was permeated by a lively tension directed to the cultivation of what he called Martial Awareness. This he described as:Â
â€ś… a type of instinctive, spontaneous sensitivity which gives rise to action that is altogether natural. …this action cannot be planned or prepared in advance; however, it can be conditioned within oneself through discipline, so that over time it may penetrate the subconscious where it awaits to manifest itself in a spontaneous, instinctive response at the correct time” (The Study and Refinement of Martial Awareness).
Consider ukemi. Often, it is not our ability to execute ikkyo or irimi nage that serves to protect us in daily life, but our ability to take ukemi. I and many of my students have survived conflicts with gravity and hard surfaces with little or no injury due to the ability to act spontaneously and instinctively. Chiba Sensei used to refer to ukemi as â€śpreparation for the unexpected.â€ť Ukemi teaches us to deal with situations on and off the mat by listening with all of ourselves to what is happening in a given moment. This is martial awareness.Â
The concept of â€śmartial awareness,â€ť as Sensei understood it and taught it to his students, strongly correlates with the concept of â€śadaptive capacity.â€ť From Wikipedia: â€śAdaptive capacity relates to the capacity of systems, institutions, humans and other organisms to adjust to potential damage, to take advantage of opportunities, or to respond to consequences.â€ť The ability of any organism to fit its niche, and adapt to changing circumstances, represents its â€śmartialâ€ť nature. Here is what Chiba Sensei had to say in 1987. [From Aikido and Self Realization.Sansho: Aikido Journal of the San Diego Aikikai]
â€śThere are many creatures with different attributes in nature. For example, lions and tigers have strong muscles and sharp claws and fangs, while weak animals such as birds are given wings to fly with, and hares hide themselves with fur that changes color every season. This is the greatness of natureâ€™s law. Every being is given a life force and unique abilities accordingly, which are beyond comparison in terms of which is better or worse. In its own uniqueness, every being has its own self-worth, dignity and meaning….
â€śâ€¦now consider human society. Similar to the world of nature, each person has a perfectly unique existence and there are no two identical persons across time and space. Regardless of oneâ€™s specific personality, ability and life force, oneâ€™s existence is beyond relative comparison. Its meaning and value of existence must be found in itself. This applies to male/female — and other — relationships in human society, and also the relationships among various cultures. To my thinking, the reason for each individual beingâ€™s existence is found in this fact.
â€śNo matter how hard a hare tries to become a tiger, it would be a waste of energy, and vice versa. One must awaken to the uniqueness of oneâ€™s own life and transcend it to the highest degree. I find the value and meaning of our lives in this task.
â€śAikido is one of the many precious heritages of the human race to help actualize this task. It helps us reach the highest level of manifestation. It also helps us recognize the unity and harmony among diverse human beings as well as the dignity of each individualâ€™s existence. This is accomplished through hard work and leads to the realization of oneâ€™s true self.â€ť
â€‹This is my fiftieth year practicing Aikido. In my youth, I was very interested in the martial effectiveness of Aikido, testing the efficacy of my practice in different contexts: the rugby field, sparring with practitioners of other martial arts, working as a doorman/bouncer in a bar. I still miss rugby and the friendships forged kicking, punching and grappling with my sparring partners, but I do not miss the violence that erupted too frequently at the bar.Â
Over the past thirty years I have grown more interested in how our practice can serve to cultivate relationships of care. In our training, we cultivate care for ourselves, physically and psychologically, with the awareness that for most of us, the assailants we face are more internal than external, including habits of self-deprecation, fear, anger, self-doubt or internal physical disharmony. We cultivate care for each other through the reciprocal nature of our practice, the exchange of roles as uke and nage, the â€śwhetstone and the knife togetherâ€ť fostering a paradoxical relationship of conflict and care between ourselves and our partners. We cultivate care for the principles and practice of our discipline, especially its transmission from one generation to the next. At this time this responsibility is of primary concern. Those of us who are elders in the Aikido community need to be especially vigilant to empower and support younger teachers who have taken upon themselves the challenge of sustaining our art into the future. We cultivate care for the dojo, which can then extend outward to care for our physical environment and the community of all beings human and other. Our ability to cooperate, to feel compassion, and to attend to the needs of others are what I believe are our greatest resources.ÂDarrell Bluhm at Aikido Daiwa
Zimron Sensei speaks of Aikido as a medicine for a sick world.Â Chiba Sensei addressed this topic often. His perspective was that any medicine if misused could become a poison. He believed if Aikido was used to promote ego and materialistic gain it would function as a poison, but if our community maintained â€śShoshinâ€ť (Beginnerâ€™s Mind) and the traditional martial values of self-sacrifice, courage, discipline, and if it continued to honor O Senseiâ€™s vision of Aikido as a creative force to reconcile conflict in a complex world, Aikido would realize its potential as an antidote to the illnesses of hatred, fear, vanity and narcissism — elements that are running wild in our world today.Â
In my dojo hangs a piece of calligraphy brushed by artist and Tea Master Shozo Sato, that reads â€śryo boâ€ť and translates as “both forgotten.” It is a constant reminder for me to look beyond the world of duality, this and that, you and me, us and them, right and wrong and embrace the possibility of oneness. The virus that we are facing and responding to, via behavioral changes, such as social distancing, wearing masks in public, sequestering in place, does not recognize the human constructed divisions of nationality, gender, political affiliation, etc, although the poor and socially marginalized, are, as usual, more vulnerable. We must exercise our adaptive capacity to be creative, courageous and compassionate in response to the situation we face. Awakening to our uniqueness and recognizing the uniqueness of others while simultaneously perceiving the interdependency and unity that exist between all beings, human and otherwise is, I believe, the spiritual foundation of our practice.Â
Read more from Darrell Bluhm’s at Biran Online.
Bob Noha Sensei has practiced Aikido for 54 years. He has founded four Aikido dojos and has been Chief Instructor of Aikido of Petaluma for the last 38 hears. Bob was a former instructor to U.S Air Force Military Police and has an extensive cross-training background with experience in Kenpo Karate, Boxing, Judo, Pa Kua, Hsing-I and 49 years of training in T’ai-chi Ch’uan.
Tom Collings’ very heartfelt article advocated ways in which more people, especially younger people, can be attracted to the practice of Aikido.Â His love and concern for the artâ€™s future came through very clearly.Â This is a worthy goal and I want to express gratitude for his care regarding the future of the art and admiration for his specific program for achieving the goal.
I would like to offer some additional thoughts on how the art can be made more appealing to another part of the population — the 27% of people, according to a PEW survey, who designate themselves as spiritual, but not religious.Â One of the important points made in Tom Collingsâ€™ article is that branding is crucial to success. Â
Our dojo has specifically focused on the spiritual, but not religious, part of the population.Â We have had some success in attracting people in their late twenties to early 50s, both men and women.Â People in this age group have had some significant life experience and a realization that there is more to life than 9 to 5 and pray for the weekend.Â At the same time, they also recognize the value of enhanced functionality in work, home, and other important aspects of life, as well as the need for physical activity to promote good health. Â
Where I think the art has fallen short is in not presenting specific practices to lead people to experience the refined states of spiritual wholeness O Sensei so eloquently talked about and more importantly modeled.Â This approach toÂ Aikido offers an opportunity for deep spiritual experience in a practice with a physical and functional form.Â The vast majority of people suffer more from a lack of wholeness and meaning in their lives than from the effects of violent attacks. Â
The number of police officers who committed suicide outnumbered those killed in the line of duty for the third straight year according to an article in USA Today.Â This gruesome statistic highlights the great need for practices that promote spiritual, mental, and physical wellbeing even in the most dangerous jobs, let alone for the majority of us who donâ€™t experience the kind of danger police officers do.
I propose that we work to develop a third-tier of practice to complement Tom Collingsâ€™ proposed structure of practice.Â Aikido has the potential to produce the same profound spiritual awakening in people that Zen, Yoga, and many other spiritual traditions offer.Â To realize that potential it needs to be a specific priority in Aikido classes.Â
One practice we do is to work with the same technique from the perspective of manifest/physical; hidden/energetic and divine/emptiness of small self.Â These are three states of consciousness that O Sensei himself talked about in his lectures and modeled in his Aikido.Â It does not require one to be at O Senseiâ€™s level or anywhere near it to have meaningful spiritual experiences. Â
As Tom Collings so clearly stated, to be taken seriously you have to deliver on your promise on the benefits the art offers.Â We can offer several branding perspectives on the art depending on who we are trying to appeal to.Â I think the greater number of long-term students are likely to come from people at or near middle-age looking for meaning and wholeness in their lives regardless of their age.Â If we want to promote the art as one of spiritual wholeness, we need to be able to offer practices that give our students that experience, just as Tom Collingsâ€™ article says about self-defense.Â I think significant progress can be made in the six month timeframe he outlined for self-defense competence.
I share a dojo space with people who practice Kenpo Karate, Escrima, and Kickboxing and have even sat on their promotion boards.Â We have always operated with mutual respect for the specific aims of our practices.
Aikido of Petaluma
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From: AikiWeb System on Wed, 03 Jun 2020 08:20:19 -0600
Posted 2020-06-03 08:19:34 by Jun Akiyama AikiWeb wishes to express our solidarity with the Black Lives Matter movement and protests taking place all across the world. George Floyd, Breonna Taylor, and Ahmaud Arbery are but the latest names of countless Black people killed due to systemic racism. Our hearts go out to their families and their communities who are rightfully feeling grief, anger, and more. Aikido founder Morihei Ueshiba expressed wishes that his art be used to reconcile the world and to make all human beings one family. And, as Zen teacher Zenju Earthlyn Manuel wrote, Â“awareness of oneness in life includes difference.Â” AikiWeb believes this requires speaking up against injustice in all of its forms and is reminded of Desmond TutuÂ’s quote, Â“If you are neutral in situations of injustice, you have chosen the side of the oppressor.Â” The Aikido community is not immune to these unjust dynamics. We can always do more and continuously improve ourselves. Please join the movement to bring about a more equitable world through donations, engagement, and advocacy. Thank you. ___________________ ~~~ To submit a news item to AikiWeb's front page, [url="http://www.aikiweb.com/news/submit.html"]click here[/url]. ~~~
From: Jun Akiyama posted on 3. Jun 2020, 07:20am
AikiWeb wishes to express our solidarity with the Black Lives Matter movement and protests taking place all across the world. George Floyd, Breonna Taylor, and Ahmaud Arbery are but the latest names of countless Black people killed due to systemic racism. Our hearts go out to their families and their communities who are rightfully feeling grief, anger, and more. Aikido founder Morihei Ueshiba expressed wishes that his art be used to reconcile the world and to make all human beings one family. And, as Zen teacher Zenju Earthlyn Manuel wrote, Â“awareness of oneness in life includes difference.Â” AikiWeb believes this requires speaking up against injustice in all of its forms and is reminded of Desmond TutuÂ’s quote, Â“If you are neutral in situations of injustice, you have chosen the side of the oppressor.Â” The Aikido community is not immune to these unjust dynamics. We can always do more and continuously improve ourselves. Please join the movement to bring about a more equitable world through donations, engagement, and advocacy. Thank you.
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From: AikiWeb System on Wed, 27 May 2020 12:10:20 -0600
Posted 2020-05-27 12:09:56 by Jun Akiyama News URL: [url="https://kogenbudo.org/great-aikido-aikido-greats/"]https://kogenbudo.org/great-aikido-aikido-greats/[/url] Here is a lovely article from Ellis Amdur on his thoughts on what components constitute a "great" practitioner of classical aikido. From the article: Â“I wish to tease out the components that I have observed among those who were able to Â– and did Â– protect their training hall against dojo breakers or people who challenged them on the mat, striving to embarrass them or worse; those who handled taryujiai; and those who had or have a particular brilliance that has garnered them true respect, not only among other aikidoka, but among practitioners of other martial arts as well. I am making as clear a distinction as I can between the excellent aikido practitioner, whatever their rank and true virtuosos.Â” ___________________ ~~~ To submit a news item to AikiWeb's front page, [url="http://www.aikiweb.com/news/submit.html"]click here[/url]. ~~~
From: Henele Veikune on Wed, 27 May 2020 09:26:28 -0600
hello, I been teaching kids for 5 years now. We don't have a dojo but we use a gym for our practice. Most of my student are at "risk" kids, have learning problem . They are all willing to learn Aikido but the only problem they struggle with is the technique names. Do you have any advice? Thanks
From: Jun Akiyama posted on 27. May 2020, 11:10am
Here is a lovely article from Ellis Amdur on his thoughts on what components constitute a "great" practitioner of classical aikido. From the article: Â“I wish to tease out the components that I have observed among those who were able to Â– and did Â– protect their training hall against dojo breakers or people who challenged them on the mat, striving to embarrass them or worse; those who handled taryujiai; and those who had or have a particular brilliance that has garnered them true respect, not only among other aikidoka, but among practitioners of other martial arts as well. I am making as clear a distinction as I can between the excellent aikido practitioner, whatever their rank and true virtuosos.Â”
From: AikiWeb System on Tue, 26 May 2020 20:28:58 -0600
Posted 2020-05-26 20:28:00 by Jun Akiyama News URL: [url="http://www.aikiweb.com/forums/showthread.php?t=25789"]http://www.aikiweb.com/forums/showthread.php?t=25789[/url] The latest in the Â“It Had to Be FeltÂ” series is [url="http://www.aikiweb.com/forums/showthread.php?t=25789"]now available[/url], this time on Nemoto Hiroki (7th dan) written by Mitch Troop. From the essay: Â“Whenever he had me in an nikkyo or sankyo lock, I had nowhere to go to escape the pain. Instead, I would go wherever he directed my body, not because I was compliant, but because I had no choice. I remember once asking some Russian uchi-deshi how they were enjoying their morning training and their answer was a half-joking, but also half-serious reply of, 'Every day he breaks us.'Â“ ___________________ ~~~ To submit a news item to AikiWeb's front page, [url="http://www.aikiweb.com/news/submit.html"]click here[/url]. ~~~
From: Jun Akiyama posted on 26. May 2020, 07:28pm
The latest in the Â“It Had to Be FeltÂ” series is now available, this time on Nemoto Hiroki (7th dan) written by Mitch Troop. From the essay: Â“Whenever he had me in an nikkyo or sankyo lock, I had nowhere to go to escape the pain. Instead, I would go wherever he directed my body, not because I was compliant, but because I had no choice. I remember once asking some Russian uchi-deshi how they were enjoying their morning training and their answer was a half-joking, but also half-serious reply of, 'Every day he breaks us.'Â“
From: Jun Akiyama on Tue, 26 May 2020 10:45:48 -0600
Hi folks, I was thinking of Clark Bateman and thought I'd start this thread in memory of him. What's your favorite aikido book, and why? -- Jun
From: John Robinson on Mon, 25 May 2020 13:29:31 -0600
Okay. I hope the op has resolved the issue by now?
From: Justin Tom on Sat, 23 May 2020 05:41:57 -0600
Quantum mechanics and quantum theory always had, and continues to hurt my head.
From: Justin Tom on Fri, 22 May 2020 19:34:37 -0600
[QUOTE=David Skaggs;354679]I remember after I had learned to do ukemi rolls and falls without fear standing at the end of a grocery store aisle and feeling a strong desire to roll the length of the aisle. dps[/QUOTE] Did you actually do ukemi rolls in the grocery store aisle? Did anyone see you do it? I was only brave enough to attempt rolls on the school's hard tiled floors.